What the Best College Teachers Do

I’m reading this Ken Bain book What the Best College Teachers Do and I’m finding myself bored by it so far. Not that it’s poorly written or boring, but that it’s not saying enough. Actually, Bain’s book is actually, so far, quite good, and interesting, but the problem is that it’s not doing enough.

Maybe it’s just me. I mean, I start reading a book I think that I will agree with and immediately start seeing issues with their thesis, with how they decided who the best college teachers were. See, I agree with what the best college teachers say about teaching, about students, about how learning functions, and loathe the way many of the opposing teachers think if learning, but I kept going, “Wrong?” or “Come on, that’s too safe.”

One part that got me was early in the book where they were talking about the kind of teacher they focused on and how they avoided those kinds of teachers I think should be expelled from academia (memory bank teachers who just spout out their knowledge then offer multiple choice tests to see if the students are learning, but really all the tests do is test memory not learning…[OK I’m paraphrasing]) but they also decided to avoid what I think they referred to as “Fringe” teachers. Those who worked outside the Structure of a traditional classroom. This is my big problem. WHY? Why not look at the Fringe teachers. I mean, I totally understand, you need some sort of control, some sort of baseline to make your claims, but why overlook the people teaching outside the box? Those are the teachers who changed the way I learned, how I wrote, how I studied. Maybe this is another book, but for me, those were the teachers who really taught me how to approach teaching. 

Their ideas were that there was already a structure perpetuation in academia of how a classroom should go. I mean, teacher at the front, students lined up. Chalk boards at the front, screen at the front. ALL EYES AHEAD! I mean, class time—how long is class? How a class functions: Teacher is boss, students listen, take notes, and only discuss when they are told to.

I had teachers who blew that out of the water, and I want to see a book talk about that.

Maybe I haven’t got to that part, or maybe I just need to finish the book and see what it’s all about, but I’m already bummed about the dismissal of the fringe. That’s where the magic happens.

OK. Back to reading. I’ll have a follow up post when I’m done.

2 notes

danielsparker:

Here’s a short review of Phantom Limb’s Issue 6 that I wrote for Columbia Poetry Review. Issue 7 dropped this past week, and it is hot!

2 notes

whatmountains:

FOR MARCH WE HAVE SUCH VERY VERY FANTASTIC READERS FOR YOU WE ARE ALL SO EXCITED. THERE WILL BE IRL POEMS BY CARRIE LORIG OF MINNEAPOLIS + ZACK HABER OF SF + CHICAGO’S OWN JAMES BAKKEN + CHICAGO’S OWN JOSHUA YOUNG + CHICAGO’S OWNERIN WATSON + 7PM + MARCH 28TH + UNCHARTED BOOKS + POEM LIONS + POEM LIONS +

whatmountains:

FOR MARCH WE HAVE SUCH VERY VERY FANT
ASTIC READERS FOR YOU WE ARE ALL SO EX
CITED. THERE WILL BE IRL POEMS BY CARRIE
LORIG OF MINNEAPOLIS + ZACK HABER OF SF
+ CHICAGO’S OWN JAMES BAKKEN + CHICAG
O’S OWN JOSHUA YOUNG + CHICAGO’S OWN
ERIN WATSON + 7PM + MARCH 28TH + UNCH
ARTED BOOKS + POEM LIONS + POEM LIONS +

11 notes

Pedagogy Research Response

I worked my way through a few texts this weekend after finishing a paper and starting a few more job applications. A lot of my reading makes me realize that I WANT/NEED to teach in a community college or small college, where composition and rhetoric are my focuses for a few years.

Like previous posts, this is not fully edited, but is me working through what I’ve read and what I have to say. There are moments that are emotional and moments that are critical and moments that are flat out talking-shit. But the point is that I get all this out now, before I start working on the paper. I want  be proper and academic, but still edgy in my paper, and of course, aggressive  but I want to remain controlled, which is why these posts are always so raw. Anyway, enjoy. And comment if you have something to say. I’d love that!

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2 notes

thedollhousereads:

We’ve got another installment of The Dollhouse Reading Series brewing, folks. Come one, come all this Saturday. 

thedollhousereads:

We’ve got another installment of The Dollhouse Reading Series brewing, folks. Come one, come all this Saturday

9 notes

Schedule for AWP

I don’t know if you care, but if you do, here it goes (everything else will be up in the air):

WEDNESDAY: 

7PM Gold Wake Press Reading @ Trident Book Sellers & Cafe (338 Newbury StreetBoston, Massachusetts 02115) 

THURSDAY: 

1-2PM Signing To the Chapel of Light @ Mud Luscious Press Table Q6

2-6PM Signing Wolves The Diegesis @ Gold Wake Press Tabe K13

7:30PM Salt Hill Reading @ Fajitas and Ritas (25 West StreetBoston, Massachusetts 02111-121) 

FRIDAY

11AM - 2:30PM @ Columbia Poetry Review Table 

SATURDAY

11AM - 2:30PM @ Columbia Poetry Review Table

3 notes

Pa-pa-pa Pedagogy: Bain’s What the Best College Students Do & other things

I’ve slowly making my way through Bain’s book, and I find that a lot of it is just anecdotal. “James was a high school student with poor math skills…” or whatever. OVER and OVER. What’s nice is that he makes a small point and then offers evidence. However, it’s a lot of evidence, and he spends a lot of time on it. WE GET IT. There are all these people who overcome the odds (or don’t) because of these things you’re are trying to show us. My issue though is that, sometimes i just want to get to the marrow of these points. Chapter 3: Mindfulness vs. mindlessness - the ability to be creative in thinking rather than working through a checklist (i.e. essay questions that require analytical thinking and writing, rather than multiple choice when addressing a concept). So, this chapter is about students who can really be aware of themselves as they think. Knowing when they start to become mindless. Also, teachers can use certain phrases or word assignments certain ways that will promote creative/open/mindfulness approaches to the work, rather than mindless chores-like busy work. This promotes creative thinking and curiosity and actual learning. So, teachers frame everything in a way that doesn’t become boring or “a task” and instead becomes an activity or experiment.

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1 note

carriemurph:

I feel like so much of (gangsta rap) that’s popular today is so unendingly boring. “Acclaimed” (gangsta rap), too. I need something to hold on to in a (track), something that yanks me in and doesn’t let go. Not just ideas, not just images, not just a bunch of surreal-sounding…

9 notes

3434 W Schubert Ave, Apt 3 7PM BYOB 

Poetry, Fun, and More Poetry, and more Fun!